alteredconciousness:

Melbourne Fog.

(via bluestarlight0)

ryansbussard:

Interpol

photo by Ryan Bussard

(via everything-is-truly-wrong)

warmblackrooster:

dessnering:

For warmblackrooster:

The Saga of DK: Puffinrider continues….

truly a work of art

Interpol’s Second Act: Inside the Gloom Kings’ Return

Early in their practice sessions, they hit on a solution that carried them through El Pintor's completion: Banks himself began laying down bass lines for the band to play over. “Right away, he proved himself to be a great fucking bassist,” Kessler says.

Adds Banks, “It was like, ‘Wow, fuck, there’s new creative DNA here, and the molecule is sustaining.’ We’re new beasts now, and we’re thriving.”

This thought leads him off on a tangent about Splice, the 2009 sci-fi film starring Adrien Brody: “Ever seen that? Crazy movie, man – they make an alien, then he bangs it. Sorry – spoiler. But I would compare this album to that.”

Kessler laughs and shakes his head. “If that doesn’t sell,” says the guitarist, “I don’t know what will.”

Joy Division - She's Lost Control

ethoslogos-pathos:

She’s Lost Control Joy Division

(via ottalaus-og-hrein)

warmblackrooster:

warmblackrooster:

Sex

#fuck me already

(via uno2cinco1)

I feel that life is divided into the horrible and the miserable. That’s the two categories. The horrible are like, I don’t know, terminal cases, you know, and blind people, crippled. I don’t know how they get through life. It’s amazing to me. And the miserable is everyone else. So you should be thankful that you’re miserable, because that’s very lucky, to be miserable.

Annie Hall (1977) Dir. Woody Allen

(via mickeycorleone)

jtotheizzoe:

The first ever picture of the Mandelbrot set, from this 1978 paper by Robert Brooks and J. Peter Matelski.

For comparison, here’s a more modern representation of this fractal wonder: 

(via Cliff Pickover)

secretcinema1:

Providence, 1961, Harry Callahan

(via rabid-glow)

its-oh-kayy-guys:

Recursion Coding

(via coisas-matematicas)